2 H, 55M Year: 1972 USA Director: Francis Ford Coppola User rating: 9,2 of 10 rating: 1556680 vote

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I've always wondered why Italian and Spanish sound so similar. Mario puzo the godfather book. Sonny is built like a walking square. Mario puzo the godfather trailer. Mario puzo the godfather read online. Mario puzo 27s the godfather 2. Mario puzo the godfather series. The godfather mario puzo book. I'm not sure it's intentional. But when the don says 'he's going to blame someone in this room' he points at tattaglia while looking towards Barzini. Mario puzo's the godfather the complete novel for television. Damn this gave me chills. Mario puzo's the godfather: the complete epic 1901-1959. Mario puzo& 39;s the godfather. Mario puzo the godfather quotes. Mario puzo's the godfather. Mario puzo 27s the godfather cast.

One of the, if not the greatest scene in film history. Mario puzo the godfather download. Mario puzo 27s the godfather remix. The godfather. mario puzo - full audiobook. Mario puzo the godfather summary. Mario puzo 27s the godfather 3. Mario puzo the godfather song.

Sony: what you gonna do? nice colleges boy, huh? Michael : yes

The godfather mario puzo book in hindi. What's particularly amazing about the first scene is the editing. Only 19 cuts in the entire scene; only 7 paragraphs, including the final line; and only two cameras, the first moving into Tom, the second into Michael. 0:00 Camera A. 1:09 Camera B. Do me a favor. 1:16 / 1:19 shot/reverse} 1:22 Camera A. It can't wait (This is the track: 82 seconds long! 2:44 / 2:48 / 2:51 / 2:52 / 2:54 reaction shots 2:56 Camera B. What're you gonna do. 3:05 Camera A. You shoot them a mile away. 3:07 Camera B. Ba-da-bing. 3:19 Camera A. Tom CU Come on, Mikey. 3:22 Camera B. Tom, wait a minute. 3:29 Camera A. Tom. 3:33 Camera B. Michael. 3:36 Camera A. Tom Don't we, Tom. 3:39 Camera B. Michael They might like a story like that. 3:40 Camera A. Tom They might. 3:43 Camera B. Michael It's not personal, Sonny; it's strictly business.

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Mario puzo's the godfather the complete epic. One of the greatest cinematic scenes ever. Often mentioned among the greatest films of all time ( 3 on AFI's top 100. The Godfather' brings us an intimate look at a Mafia crime family. America has always had a romantic fascination with organized crime and this film takes us inside `the family' like never before.
The script is nearly flawless. The dialogue is engaging and emotional and the pace never lets up. The story is mesmerizing. The characters are so carefully and intimately developed that we can't help but get emotionally involved with them. Though the violence is graphic and disturbing, it is never random or gratuitous and always has a direct link to a vital plot element.
However, the appeal of this film goes beyond its great script to the characters and the actors who played them. The ensemble has such amazing chemistry that it hard to imagine they are not actually related to one another. They have such charisma that we fall in love with every member of this band of ruthless criminals, despite their moral decadence. We come to understand that they are immoral by our standards, but not amoral, since they have their own codes of honor that they take very seriously.
Though this was more of an ensemble piece than the sequels, two actors clearly stand out, namely Marlon Brando and Al Pacino. Brando was already an established superstar at that point, although he hadn't had a meaty role in a few years. His performance as Don Vito was powerful and commanding. Outstanding as he was, it was probably not his best performance (See `On The Waterfront. A Streetcar Named Desire' or `Mutiny On The Bounty. yet it is the one for which he is most famous. Brando redefined our notions of the mafia patriarch from that of a ruthless dictator, to a shrewd diplomat who only wielded power when absolutely necessary. He presented him as a potent but sympathetic character with a cunning mind and an astute understanding of the human dynamics of the other families.
Pacino, in contrast, was a fresh face with only two films to his credit at that time. Despite his lack of film experience, he delivered a tour de force performance portraying a complex character that required a great deal of range. Michael Corleone starts as a goody two shoes and is ultimately hardened into a cold-blooded crime boss, with a touching romantic interlude along the way. Pacino shined in every scene and established himself as one of the truly great actors of our time.
Other standouts include Robert Duvall and James Caan, who was brilliant as the hot headed Sonny Corleone. Caan's performance was raw, brutal and visceral, yet he somehow was able to render Sonny a magnetic and charming character with a strong sense of family loyalty.
This film was nominated for nine Academy Awards in 1973 and won three, including Best Actor for Brando and Best Picture. It is one of the very few videos that I actually own. It is hard to imagine that anyone born before 1982 hasn't seen it yet, but if you haven't, you should make it the very next film you see. It is an utterly perfect 10.

When my dad showed me this movie for the first time, he paused it after this scene and said: “You get it? Its ironic! Do you understand! ” Yes dad. I understand. Mario puzo the godfather movie. Al Lettieri (Sollozzo) is perfect. Even little things, like when Mike asks to go to the bathroom and his left eye twitches to indicate his radar is working, is brilliant. Seeing the forehead wound on McCluskey after being shot in the throat is a blooper in this otherwise perfect scene. Thats when michael start to have the control.

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